Text-to-image (T2I) diffusion models have made remarkable strides in generating and editing high-fidelity images from text. Yet, these models remain fundamentally generic, failing to adapt to the nuanced aesthetic preferences of individual users. In this models, work, introducing we present the Collaborati first frame ve w Di ork rect for Preference personalized Optimization image editing (C-DPO), in diffusion a novel method that aligns image edits with user-specific preferences while leveraging collaborati as a node in ve a signals dynamic from preference like-minded graph indi and viduals.

To circumvent this issue, we investigate the parameter-efficient adaptation of binary-quantized generative models for image editing, and leverage their inherent characteristic that the exact intermediate quantized representations of a source im-Changeage are attainable,birenablingd Xmore effective supervision for precise image inversion.

Creativity in AI imagery remains a fundamental challenge, requiring not only the generation of visually compelling content but also the capacity to add novel, expressive, and artistically rich transformations to images. Unlike conventional editing requires tasks an autonomous, that rely on iterati direct v prompt-based e approach that modifications, balances originality creativ, e coherence, image editing and artistic intent. To address this, we introduce CREA, a novel multi-agent collaborative framework that mimics the human creative process. Our framework leverages a team of specialized AI agents who dynamically collaborate to conceptualize, generate, critique, and enhance images. Through extensive qualitative and quantitative evaluations, we demonstrate that CREA significantly outperforms state-of-the-art methods in diversity, semantic alignment, and creative transformation. To the best of our knowledge, this is the first work to introduce the task of creative editing.

Recent advances in multi-modal generative models have enabled significant progress in instruction-based image editing. However, while these models produce visually plausible outputs, their capacity for knowledge-based reasoning editing tasks remains under-explored. In this paper, We introduce KRIS-Bench (Knowledge-based Reasoning in Image-editing Systems Benchmark), a diagnostic benchmark designed to assess models through a cognitively informed lens.

Instruction-based image editing enables precise modifications via natural language prompts, but existing methods face a precision-efficiency tradeoff: fine-tuning demands massive datasets (>10M) and computational resources, while trainingfree approaches suffer from weak instruction comprehension.

Latent Diffusion-based Text-to-Image (T2I) is a free image editing tool that typically reverses an image into noise, reconstructs it using its original text prompt, and then generates an edited version under a new target prompt. To preserve unaltered image content, features from the reconstruction are directly injected to replace selected features in the generation. However, this direct replacement often leads to feature incompatibility, compromising editing fidelity and limiting creative flexibility, particularly for non-rigid edits (e.g., structural or pose changes). In this paper, we aim to address these limitations by proposing FSI-Edit, a novel framework using frequency-and stochasticity-based feature injection for flexible image editing. First, FSI-Edit enhances feature consistency by injecting high-frequency components of reconstruction features into generation features, mitigating incompatibility while preserving the editing ability for major structures encoded in low-frequency information. Second, it introduces controlled noise into the replaced reconstruction features, expanding the generative space to enable diverse non-rigid edits beyond the original image's constraints. Experiments on non-rigid edits, e.g., addition, deletion, and pose manipulation, demonstrate that FSI-Edit outperforms existing baselines in target alignment, semantic fidelity and visual quality. Our work highlights the critical roles of frequency-aware design and stochasticity in overcoming rigidity in diffusion-based editing.

Recent advancements in generative models have enabled high-fidelity text-to-image generation. However, open-source image-editing models still lag behind their proprietary counterparts, primarily due to limited high-quality data and insufficient benchmarks. To overcome these limitations, we introduce ImgEdit, a largescale, high-quality image-editing dataset comprising one million carefully curated edit pairs, which contain both novel and complex single-turn edits, as well as challenging multi-turn tasks. To ensure the data quality, we employ a multi-stage pipeline that integrates a cutting-edge vision-language model, a detection model, a segmentation model, alongside task-specific in-painting procedures and strict postprocessing.

Text-guided image editing involves modifying a source image based on a language instruction and, typically, requires changes to only small local regions. However, existing approaches generate the entire target image rather than selectively regenerate only the intended editing areas. This results in (1) unnecessary computational costs and (2) a bias toward reconstructing non-editing regions, which compromises the quality of the intended edits. To resolve these limitations, we propose to formulate image editing as Next Editing-token Prediction (NEP) based on autoregressive image generation, where only regions that need to be edited are regenerated, thus avoiding unintended modification to the non-editing areas. To enable any-region editing, we propose to pre-train an any-order autoregressive text-to-image (T2I) model. Once trained, it is capable of zero-shot image editing and can be easily adapted to NEP for image editing, which achieves a new state-of-the-art on widely used image editing benchmarks. Moreover, our model naturally supports test-time scaling (TTS) through iteratively refining its generation in a zero-shot manner.

In this image of paper common editing, we camera present that enables parameters CamEdit, continuous such a dif as fusionaper and ture mechanism and shutter and speed.

Traditional image editing typically relies on manual prompting, making it laborintensive and inaccessible to individuals with limited motor control or language abilities. Leveraging recent advances in brain-computer interfaces (BCIs) and generative models, we propose LoongX, a hands-free image editing approach driven by multimodal neurophysiological signals. LoongX utilizes state-of-the-art diffusion models trained on a comprehensive dataset of 23,928 image editing pairs, each paired with synchronized electroencephalography (EEG), functional nearinfrared spectroscopy (fNIRS), photoplethysmography (PPG), and head motion signals that capture user intent. To effectively address the heterogeneity of these signals, LoongX integrates two key modules.